(26 words)Īn effective logline establishes the protagonist (the police chief), antagonist (the shark and the greedy town council), the location (open water and beach) and the genre (horror/thriller). (29 words)Ī lawyer who loses his ability to lie for 24 hours clashes with his ex-wife for the affection of their son and the healing of their family. (35 words)Ī Parisian rat teams up with a wannabe chef with no talent to battle convention and the critics to prove that anyone can cook and open their own restaurant. Can you name these films? ( Answers can be found the end of the post)Ī police chief with a phobia of open water battles a gigantic shark with an appetite for swimmers and boat captains, in spite of a greedy town council who demands that the beach stay open. Notice how you understand immediately what the story is. Here are effective examples of loglines from films you may recognize. The logline should not be editorial as in, “My heartwarming tale of two kittens searching for their mommy will be an entertaining and funny film for audiences of all ages.” Rather, it needs to illustrate the story and entice the reader. The focus of this post is to establish the difference between a logline, tagline and synopsis so that you can find greater success with your writing.Ī logline is a one-sentence outline of your film using only 35-45 words.
#Book logline examples free
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#Book logline examples how to
If you do not know what a logline is - or how to write one - you could find yourself alone with a lot of scripts that are never read. Most, if not all, screenwriting contests now require writers to submit a logline with their script and contests specifically for loglines have popped up. So many writers neither understand the importance of a logline, nor take the time to learn how to effectively write one. For more instruction on how to write loglines along with hundreds of examples, check out Douglas King’s book, “Loglines: the Long and Short of Writing a Strong Logline” available on Amazon! You can also read daily loglines on King’s blog and is imperative for today’s screenwriter to understand the difference between a logline, tagline, and synopsis and to be able to write an effective logline that will ensure that their spec screenplay sees the light of day and not the darkness of the filing cabinet or the digital dustbin of a hard drive. Douglas King has been writing professionally for 25 years in film, television and print.
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